Gaia Radić

Anselm Kiefer, Die Himmelspaläste, 2003-2018
Tuco Amalfi, Beyond Time, 2007

Solitude is independence. It had been my wish and with the years I had attained it. It was cold. Oh, cold enough! But it was also still, wonderfully still and vast like the cold stillness of space in which the stars revolve.
Hermann Hesse, Steppenwolf, 1927

Jon Rafman, I Have Ten Thousand Compound eyes and Each is Named Suffering, 2016
Hito Steyerl, Power Plants, 2019
Junya Ishigami + associates, KAIT Plaza, Atsugi, 2020
Josef Svoboda_Rusalka, Antonin Dvorak, National Theatre Prague, 1991

Somehow in an opera house you have this condition where you have a singer on stage singing without amplification and they’re surrounded by this house whose curves are built to enable that unamplified voice to project out into the house. It’s something like being inside the chest cavity of the singer, yet being up in the house and seeing the singer. So you’re sort of in two places both external and internal at the same time.
Matthew Barney

Nancy Holt, Rock Rings, 1977-78
Matthew Barney, Cremaster 5, 1997
Robert Torre, Karta života
Remedios Varo, Bruja que va al Sabath, 1957
Zsófia Keresztes, After Dreams_ I Dare to Defy the Damage, Hungarian Pavilion, 59th Venice Biennale
The oldest discovered architectural plan, Mesopotamia
Tomislav Tomić_Regoč, Priče iz davnina, Ivana Brlić – Mažuranić (ilustracija iz 2004)

No, Chay,” he told her. “At this moment we are code, we are ghosts in the substrate, we are both real and unreal. Never forget that. We exist here for now but we had and have another life, other bodies to return to, back in the Real.
Iain M. Banks, Surface Detail, 2010